Label: Source – 7243 8 44978 1 1, Parlophone – 0724384497811
Format: Vinyl, LP, Album, Reissue, MPO
Country: Europe
Released:
Genre: Electronic
Style: Future Jazz, Downtempo, Synth-pop
Moon Safari is the debut studio album by French electronic music duo Air, released on 16 January 1998 by Source and Virgin Records. Moon Safari was re-released on 14 April 2008 to mark the album’s 10th anniversary, including a bound book, a DVD documentary about the duo, and a bonus CD with live performances and remixes.
Moon Safari was acclaimed by critics. It is credited with setting the stage for the budding downtempo music style. By February 2012, it had sold 386,000 copies in the United States.
oon Safari was met with general acclaim upon its release. Writing in Mixmag, Alexis Petridis called it a “superbly inventive” album that “creates a soundworld in your living room, a world where everything’s more shiny, chic and sophisticated than reality”.John Mulvey of NME praised Air’s “sensitive but tenacious grasp of melody, a laid-back disposition and a reckless way with a Vocoder that makes them unafraid of sounding like a digital ELO”, also noting similarities to Garbage on “Sexy Boy”. Entertainment Weekly’s Ethan Smith felt that though the album occasionally bears excessive resemblance to Everything but the Girl, “Air leaven it all with a welcome dash of Gallic irony.”Pitchfork writer Brent DiCrescenzo remarked that the music would befit “minimalist architecture design, shagging up against a tree in a field of sunflowers, waiting in line for ‘Space Mountain,’ drinking gin upstairs in a 747 (circa 1974), and ’60s Swedish industrial documentaries”, adding that though the album is “too cheeky” for everyday listening, it is nonetheless romantic.
Rolling Stone’s Rob Sheffield was more reserved in his praise, praising the album’s stylistic range and the instrumental songs but calling the group “obsessive”.(Retrospectively in its album guide, Rolling Stone awarded the album four-and-a-half stars.)Likewise, Spin’s Jeff Salamon felt that though the album’s pathos is “heartening”, the music lacks irony.
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